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山崎連基
やまさき・れんき
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映像表現 Imaging Arts |
専任講師 Senior Lecturer |
2022年4月着任 1984年福岡県生まれ 武蔵野美術大学造形学部 映像学科卒業 学士（造形） |
研究テーマ：
映像表現の実践と探求。またそれらの社会実装。'06年度 武蔵野美術大学造形学部映像学科卒業。
その後、都内ポストプロダクションの編集スタジオを経て、放送局、広告、WEBメディア、イベント映像、MVなど、様々な映像制作現場に携わる。
実写からモーショングラフィックス、3DCGまで様々な手法で映像表現を実践・探求している。
受賞歴：
Adobe MUSIC VIDEO FOR ALL “2 Cars” Music Video Challenge 準グランプリ '20年
anderlust SHORT MOVIE COMPETITION 優秀賞 '16年
文化庁メディア芸術祭 審査員推薦作品 '07年
http://renki.jp/index.html
YAMASAKI, Renki
Senior LecturerImaging Arts and Sciences
We hope to devote ourselves to the culture of images. In other words, our idea of devotion is to adapt the images to society. We are exploring the field of imaging not just for conveying certain types of information, such as advertisements and films. It might be images that replace walls, windows, lighting, and so on. For this ambition, we believe that this requires constant practice and exploration in society.
I wanted to make a work like a “bonfire”. I am interested in a quiet place that is made around a bonfire without exchanging words or glances with other people. There is neither a subject to be emotionally involved in a bonfire nor information to receive or catch. I hypothesized that “continuity" is the reason why we can keep looking at a bonfire. Several asynchronous images are presented to make a single space in this work. All the images are made to look seamless. Even so, each of the images may simply be a loop. However, I thought that a “continuity” like that of a bonfire could be made by juxtaposing multiple images in a single space.
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